Sound and Its Entities

"There are invisible entities that surround us at all times. They are conceived by natures cries and birthed from transluscent gelatinous eggs. They are attracted to high vibration, and often find themselves in urban spaces — mimicking the shapes of humans — they find our anatomy amusing. at the end of their life cycle they retreat to the still water of green swamps and wait for their slow metamorphosis to take place becoming bubbles to sit between strings of algae."

Sound and Its Entities considers the land not as passive terrain, but as a living psychological force—one that quietly shapes bodily instinct, memory, and emotional response. The paintings' dense organic forms and fluid, porous structures evoke terrains that feel simultaneously internal and ecological. Vein-like networks, bleeding pigments, and cellular textures blur distinctions between body and landscape, suggesting that the psyche itself may be environmental—formed through repeated sensory negotiations with place. The deep earthen palette oscillates between intimacy and unease, reflecting the tension between attraction and vulnerability that often accompanies encounters with the natural world, and how we carry these feelings into urban landscapes.